A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

On a passenger ship to Japan, the journalist Kawase encounters a man who claims to be a Filipino, but Kawase believes he is a murder suspect who fled Japan fifteen years ago, Hojo Shuichi. To throw Kawase off, the man talks a female passenger, Reiko, into acting as if she was his long-time friend. When the man - who is, in fact, Hojo - secretly leaves the ship, Reiko, who has fallen for him, joins up with Kawase to go looking for him. Meanwhile, Hojo, who has returned to Japan to find the true murderer before the 15-year statute of limiitations on murder expires, tracks down the man whom he believes ordered the murder he was accused of.

In search of purpose, opportunity and independence, four rural women start an adult products business in 1992 — embarking on a journey of self-discovery.

A peaceful yet somewhat boring small town has everything the townspeople need: a beauty shop, a pharmacy, a convenience store, and a Chinese restaurant. 'Chung-Wha-Roo' is the only Chinese restaurant in town until a new Chinese restaurant by the name 'A-Bang-Goong' opens right across the street. At first, A-Bang-Goong seems less than enthusiastic about their business; the exterior of the restaurant resembles a warehouse without a signboard, and all the employees are grotesque and brusque, even lacking the willpower for decent service including delivery. Despite the fact they serve only two dishes on the menu, their incredible gourmet flavor quickly becomes the toast of the town. As A-Bang-Goong becomes a local and nationwide phenomenon,, WANG, the owner of Chung-Wha-Roo becomes desperate. WANG visits his rival's to taste the famous dishes. However, he falls faint after discovering a human finger in his food.

When Brendan turns 18, he reaches out to his biological father for the first time in hopes of joining the family business, The Mob.

In a small Tohoku town, family tensions rise when a sick mother’s care leads to conflict over a mistress joining the household. Misunderstandings spread through teachers, students, and neighbors, testing loyalty and trust. After the mother’s death, the daughter decides to leave for Tokyo, parting with her grieving father on hopeful terms.

Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.

An aspiring pimp struggles to make a mint after inheriting his late uncle's escort service and discovering that competition on the streets is fierce.